Anniversary, Music, Review

TLC Finally Made Christmas Sound Fun on “Sleigh Ride” 25 Years Ago!

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On their 1993 Christmas single, the trio reworked every part of a chirpy classic and came out with something unique.

By Alex Robert Ross
To make absolutely sure that a song registers as Christmas music, a pop producer can follow a few basic rules. Sleigh bells on the downbeat and some scattered church bells are the obvious shortcuts; high-up strings and canned choirs certainly help. Most truly mainstream musicians are shooting for tinseled whimsy, warm fuzzies, and a picture of mittened masses tipping their hats to each other on their way to a family gathering. A few frills will get you there without too much sweat.
If this isn’t enough, an artist can always faithfully cover one of the early-to-mid-20th Century classics – “White Christmas” or “I Saw Mommy Kissing Santa Claus” or anything else that Phil Spector perfected in 1963 – and have done with it. Christmas thrives on nostalgia, a reminder of a time when at least some people woke up thrilled by the prospect of presents and an eternity away from school. There’s some sense in going back in time, dusting something off, and adding a coat of fresh lacquer.
Twenty-five years ago, TLC did all of this on “Sleigh Ride.” It was, at least in theory, a cover of a well-known light orchestra standard. There was the reassuring rattle of jingle bells above the hi-hat and some background church chimes over the synths. But “Sleigh Ride” was so much more than that. It was a song warped so far beyond recognition that it became uniquely their own. It was full of frivolous jokes and messy happiness, and it did something that so many modern holiday songs have strived to do before failing so horribly – it made Christmas sound fun.
The original “Sleigh Ride,” a chirpy instrumental, was penned by Leroy Anderson in 1948 and became an immediate hit when it was released a year later. The Andrews Sisters recorded the first vocal performance of the song in 1950, using lyrics written by Mitchell Parish—the same man behind the words to jazz standards like “Stardust” and “Deep Purple.” The Ronettes’ version of the song on the practically flawless A Christmas Gift to You From Phil Spector in 1963 is the most popular, but there have been dozens of “Sleigh Ride”s over the years. It’s in the canon.
TLC took a novel approach to the song in 1993. Rather than borrowing from The Ronettes or even commissioning a remix of an older cut, they basically ignored the original altogether. They worked around an entirely new vocal hook, a beat produced by Organized Noize and co-produced by their then-manager Pebbles, and pretty much a whole new set of lyrics. The hook is so classically festive that you’d be forgiven for thinking that it was there in the 1950 version: “Let’s have a very merry Christmas / And a happy New Year / Give with love and joy and happiness / And lots of good cheer.” But Parish’s lyrics didn’t even mention Christmas. The only call-back to the original comes from T-Boz, who sings to an entirely unfamiliar melody: “Just hear those sleigh bells jing-a-ling / Ring-ting-ting-a-ling too / It’s lovely weather for a sleigh ride together with you.”
(All of which might make you think that this isn’t a cover at all, and I get it. If you all but rewrite a song’s lyrics and sing those lyrics to a whole new tune over an entirely different beat, isn’t it just a new song? The answer is obviously yes, in the same way that an old broom with a new head and a new handle is just a new broom. But go back in time and tell that to LaFace Records, who listed only two songwriters on the original CD copy of the track: Anderson and Parish.)
TLC’s “version” is best appreciated alongside its video, which features T-Boz, Chilli, and Left Eye wearing baggy overalls, working through some awkward treeside encounters with boyfriends, helping the needy, and leading a half-decent dance party. “I want T-Boz to get me some headphone sets, and I want Left Eye to make me a fly dress,” Chilli says, beaming, at the top of the song. Left Eye’s verse is an open challenge to anyone who wants to hang out with her, opening with a too-cool-for-this-shit lead-in—”Uh-huh reindeer, presents, happiness… yeah right, check it out…”—and then using the “sleigh ride” as a metaphor for what I’m guessing was simply romance, because this was a PG-13 Christmas track. (The B-side to the single, “All I Want for Christmas“—no relation—is less ambiguous.)
This was just before TLC’s peak, a year beforeCrazySexyCool and years before outside pressures would make things tense, so it’s safe to assume that a lot of the trio’s chemistry was natural and unforced here. In an interview with Pitchfork earlier this year, Chilli even said that the verse was her favorite Left Eye moment: “I really love how she rapped in our Christmas song,'” she said. “I miss how silly we all used to be together. It was just how we interacted, at least when we were all liking each other at the same time—you know how sisters are!” They were gunning for airplay here (and a featured spot on the Home Alone 2 soundtrack didn’t hurt), but TLC were genuinely enjoying themselves.
“Sleigh Ride” is unquestionably of its time, but that’s its greatest asset—where most pop musicians try to tap into familiar moods and melodies at Christmas, TLC decided to sound like themselves, then threw a few bells on there. There’s more than one way to access warm holiday vibes. Sometimes you just have to rewrite the songs from scratch.
TLC finally gave us a live rendition of the hit in 2016, 23 years after it’s release, on the festive television show Taraji’s White Hot Holidays. Missy Elliott made a surprise appearance and paid homage to the late Left Eye by performing Lisa’s verse with the girls. Magic.
Original article posted on Noisey
Music, Review

21 of TLC’s Best Album Tracks!

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We all know that TLC conquered the music industry throughout the 1990s, going on to earn the title of being the biggest selling US girl group of all time. A title they still own today.

Although T-Boz, Left Eye and Chilli dominated the charts worldwide with smash hits such as “Waterfalls”, “No Scrubs” and “Unpretty”, it is easy to forget that this iconic trio produced some of the most hard-hitting songs that didn’t become singles, but are present on all 5 of their amazing studio albums.

Whilst we sit and hope this spurs the ladies to do a tour of their album tracks for their die-hard fans, here’s our rundown of 21 of their best non-single tracks, with some additional reviews by The BoomBox. In no specific order:

1. “Switch”, CrazySexyCool (1994)

“Switch” is the ultimate proof that there ain’t no party like a TLC party. With Jean Wright’s “Mr. Big Stuff” guitar riff sample leading the way, feminist heroes T-Boz, Left Eye and Chilli let it be known that girls just wanna have fun and not every single gal strives to be in a committed relationship. “Switch” was produced by Jermaine Dupri, the guy who suggested T-Boz should sing in her iconic lower register!

 

2. “This Is How It Works”, Waiting To Exhale (1995)

Recorded exclusively for Whitney Houston’s Waiting to Exhale soundtrack, “This Is How It Works” is essentially sex education for grown ups, complete with a specific step-by-step tutorial! Written and produced by their label boss Babyface and Left Eye, who adds a seductive rap which serves as icing on the cake!

 

3. “Sumthin Wicked This Way Comes” (feat André 3000), CrazySexyCool (1994)

TLC’s CrazySexyCool remains the best-selling album by a girl group, achieving a diamond-selling status in the US. The albums closer contains Left Eye’s most poignant verse after “Waterfalls” and a verse by Outkast‘s Andre 3000. The Organized Noize-produced track critiques the then-current state of the world, but the lyrics still ring true today. “I just don’t understand / The ways of the world today / Sometimes I feel / Like there’s nothing to live for / So I’m longing for the days of yesterday“.

 

4. “My Life”, Fanmail (1999)

Part of what made TLC unstoppable in their heyday was their audacity to live by their own rules. “My Life,” which reunites them with producer Jermaine Dupri, is TLC’s legacy in a nutshell, and Left Eye’s rap takes it to new heights as she spits an epic verse that gives listeners a glimpse into her upbringing. To this day, superfans can’t seem to wrap their heads around why this track was never released as a single.

 

5. “His Story”, Ooooooohhh… on the TLC tip (1992)

TLC has never been afraid of touching on sensitive topics in thier music. As explained by Left Eye in the intro, this song is partly inspired by Tawana Brawley, an African-American teenager who alleged in 1987 that four white men had raped her. “His Story” is a tale about toxic masculinity and the women whose sexual assault and harassment allegations are too easily dismissed by society.

 

6. “Kick Your Game”, CrazySexyCool (1994)

TLC’s chemistry is undeniable on “Kick Your Game,” and it’s one of the few instances where Jermaine Dupri and the trio join forces to create a funky groove for the ages. Left Eye creatively raps as her love interest conversing with herself, whilst T-Boz and Chilli ooze their effortless sex appeal on the verses. This was almost made a single after “Diggin On You”. The music video would have been amazing.

 

7. “American Gold”, TLC (2017)

“American Gold” may appear a proclamation of traditional patriotism, but in reality, there are several subtle commentaries on the country imbued within the lyrics. In reality, it’s an anthem for the marginalized, a rallying cry to take back the country that may have abandoned them. T-Boz’s brother Kayo takes on the role of producer on this single-worthy anthem. “I cry for the ones I lost/ I pray for the ones that don’t/ I’m bleeding on American soil/ I’m bleeding this American Gold“.

 

8. “So So Dumb”, 3D (2002)

TLC teams up with the talented singer, songwriter and producer Raphael Saadiq (of the group Tony! Toni! Tone! and Lucy Pearl) on this mellow tale of an unfaithful man that the girls are warning off, threatening to expose him to his wife! Saadiq actually worked with Left Eye on other tracks that didn’t make the album, but fans are hoping to hear them one day.

 

9. “Case Of The Fake People”, CrazySexyCool (1994)

Taking influences from the O’Jays’ 1972 smash hit “Back Stabbers,” TLC’s “Case of the Fake People” is a classy send-off to all the opportunists out there, and it comes with a certain level of wisdom that’s expected on a sophomore project.

 

10. “Im Good At Being Bad”, Fanmail (1999)

Built around a sample of War’s “Slippin’ Into Darkness,” the track opens with soft strings and lovey-dovey lines about sunny days, birds chirping and long, romantic walks on the beach.  Then, without warning, a ferocious beat drops and the ladies of TLC reveal their raunchy fantasies, taking a page straight out of Lil’ Kim’s book. For nearly five explicit minutes, T-Boz, Left Eye and Chilli spell out exactly what they expect in the bedroom. Legendary producers Jimmy Jam & Terry Lewis laced the track, which would be why fans noticed the similarities between this song and Janet Jackson‘s “What About”. Initial pressings feature an interpolation of Donna Summer‘s 1975 disco hit, “Love to Love You Baby”, which she had removed after hearing the song’s lyrical content. Whoops.

 

11. “Joy Ride”, TLC (2017)

T-Boz and Chilli get sentimental on the closing number of their final album. “Thank you for stayin’ by my side / Hope you all enjoy the ride,” sing the two surviving TLC members on the chorus of “Joyride,” which serves as a bittersweet ending to the group’s remarkable comeback album after 15 years.

 

12. “Automatic”, Fanmail (1999)

A handful of the tracks on FanMail predicted the future in the most uncanny way with dial-up sounds and a recurring android character named Vic-E. On the futuristic “Automatic,” the girls sing about getting revenge on someone who did them wrong in a relationship. This track was later used as the opening theme to their hit VH1 biopic ‘CrazySexyCool: The TLC Story‘ in 2013.

 

13. “Depend On Myself”, Ooooooohhh… on the TLC tip (1992)

On the set’s penultimate track, the threesome boast about being independent and in control of their own lives after some trifling dude tries desperately to win them over by promising to take care of them financially.

 

14. “Let’s Do It Again”, CrazySexyCool (1994)

You sexy thang you / Whatever it is you want from me you know I’ll satisfy/ Just keep the love at home,” T-Boz purrs in the first verse of this slow jam, produced by JonJohn Robinson. The tension rises during the bridge, with T-Boz and Chilli alternating their lines sensually, easily the highlight of the track.

 

15. “Silly Ho”, Fanmail (1999)

Initially released as a promo late in 1998 to drum up attention to the forthcoming album and it’s official lead single, “No Scrubs”, “Silly Ho” is a sharp and catchy club anthem, led by T-Boz setting the record straight and making it clear she will not “be no chickenhead/ to wake up in your bed/ let the other girls want you“. Produced by Dallas Austin under the alias of Cyptron, it features a rap by virtual Vic-E in the absence of Left Eye, who wasn’t co-operating with a lot of the album’s recording at the time.

 

16. “Das Da Way We Like ‘Em”, Ooooooohhh… on the TLC tip (1992)

This is the first and last time we get to witness T-Boz and Chilli join Left Eye’s lane by displaying their rapping skills on a track. They did pretty good, and with many artists rapping and singing lately we think the girls should have tried rapping more often. They all have a verse each to rap about the type of man they are looking for, before ending the song with a ton of high energy shout outs to their friends and mothers. And that is… ooooooohhh on the TLC tip!

 

17. “Fanmail”, Fanmail (1999)

The opening track named after the album acts as a love letter to the fans. Vic-E opens the song by thanking fans for their support over the years, before TLC get personal with their listeners, reassuring them that “just like you, I get lonely too“. Years later the impact of this song is still felt, with Drake recording a cover in 2010, simply titled “I Get Lonely Too”.

 

18. “Aye Muthafucka”, TLC (2017)

TLC are reunited with “Waterfalls” hitmaker Marqueze Ethridge on this track from their self-titled album. The girls set a scrub straight who no longer deserves their affection or attention. “I just tell you things I want you to know/
I cannot with you, I done done this before“. The catchy lyrics and slick production will have listeners keeping the track on repeat, even if the title is too bold to say out loud. If a clean edit is released, this could and should be a big radio hit.

 

19. “Can You Hear Me?” (feat Missy Elliott), Under Construction (2003)

TLC rarely collaborated with other artists, especially outside of the LaFace umbrella, but joining Missy Elliott on this poignant track was absolutely necessary. Missy was still grieving over the loss of Aaliyah in August 2001 when Left Eye tragically passed 6 months later. Being as they knew how it felt to lose someone close to them in the music industry, Missy Elliott and TLC wrote direct letters in song form to Aaliyah and Left Eye. In TLC’s verse they sing, “Aaliyah if you see Left Eye / Tell her me and Boz miss her too / No one’s gonna fill her space / T, C, L not replaced / If you and Left Eye come to chat / Tell her me and Tionne know she’s much safer“. A perfect tribute.

 

20. “If I Was Your Girlfriend”, CrazySexyCool (1994)

TLC weren’t the type of group to release endless covers of other hits, so when they did record a cover it had to make sense. And this was no exception. Prince made no secret that TLC was his favorite girl group and asked them to record a cover of “Get It Up” by his group The Time,  which was a hit single for the movie Poetic Justice in 1993, starring Janet Jackson and 2pac. He quickly gave his blessings for the girls to record a cover of his classic “Girlfriend” too, knowing they would — and did, do it justice. T-Boz sang in a higher register than we’re used to and sounded like the female Prince! 10/10

 

21. “Start A Fire”, TLC (2017)

This definitive listeners guide would not be complete without this intimate gem from the latest self-titled TLC album. Another production by Ayo ‘Kayo’ Watkins, T-Boz and Chilli sing together seductively and effortlessly over the minimal instrumentation of an acoustic guitar, blended perfectly with singer/songwriter Candace Wakefield on background vocals. Just as the angelic vocals begin to take you to another world, the drum beat kicks in before the song climaxes, making you yearn for more. This can’t be the end.. and it isn’t, completely. Despite the girls declaring that this is the final album, they insist that they may still release singles for soundtracks and other projects in the future.

Music, Review

Lil Wayne References TLC On Latest Album ‘Tha Carter V’

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Lil Wayne has broken his silence with the release of his the twelfth studio album, ‘Tha Carter V‘,  released on September 28, 2018 by Young Money Entertainment, Republic Records and Universal.

Lil Wayne, who has previously worked with T-Boz on her solo rendition of the Billy Idol classic, “Rebel Yell” in 2009, continues the TLC love on his latest project, name checking the girls on the poignant track “Let It All Work Out“.

In the song he says:

This C5, this for BI and Left Eye, and T-Boz,
When I seen Chilli at the Floyd fight,
I almost asked her to Creep with me,
But I was young, and I held my tongue,
But with that tongue, I just keep spitting, so it all worked out”.

 

The album has been held hostage by his former label Cash Money Records since 2012. However, Wayne has ensured the lyrical content is upto date, adding details of his health in the above mentioned track.

Stream the album below, which also features Ashanti, Kendrick Lamar, Travis Scott, the late XXXTENTACION and Nicki Minaj!

 

Concert, Music, Review

Watch: TLC & Katy Perry Live at KAABOO 2018

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If you missed TLC in action last weekend in San Diego, you missed out on a fantastic show!

The girls were part of this years KAABOO Del Mar 3-day music festival, and they shared the stage on the final day of the event on September 16 with Wiz Khalifa, Slash, Jewel and Katy Perry!

TLC and Katy Perry had some catching up backstage. Katy was famously named as one of the backers for TLC’s Kickstarter campaign in 2015, which funded last years self-titled album. (They have vowed to still make that slumber party happen!)

TLC, who usually perform last at the shows they headline, performed at a much earlier time, kicking off their set at 2:45PM, something they aren’t planning on getting used to. Nonetheless, they put on an amazing show,  performing their hits back-to-back and taking the crowd Way Back!

Katy Perry closed the show with a final 90 minute performance of her Witness world tour, complete with 5 costume changes and plenty of, yes, Fireworks.

Watch the full TLC set below:

 

Katy Perry Live at KAABOO