Anniversary, Music, Review

TLC Finally Made Christmas Sound Fun on “Sleigh Ride” 25 Years Ago!

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On their 1993 Christmas single, the trio reworked every part of a chirpy classic and came out with something unique.

By Alex Robert Ross
To make absolutely sure that a song registers as Christmas music, a pop producer can follow a few basic rules. Sleigh bells on the downbeat and some scattered church bells are the obvious shortcuts; high-up strings and canned choirs certainly help. Most truly mainstream musicians are shooting for tinseled whimsy, warm fuzzies, and a picture of mittened masses tipping their hats to each other on their way to a family gathering. A few frills will get you there without too much sweat.
If this isn’t enough, an artist can always faithfully cover one of the early-to-mid-20th Century classics – “White Christmas” or “I Saw Mommy Kissing Santa Claus” or anything else that Phil Spector perfected in 1963 – and have done with it. Christmas thrives on nostalgia, a reminder of a time when at least some people woke up thrilled by the prospect of presents and an eternity away from school. There’s some sense in going back in time, dusting something off, and adding a coat of fresh lacquer.
Twenty-five years ago, TLC did all of this on “Sleigh Ride.” It was, at least in theory, a cover of a well-known light orchestra standard. There was the reassuring rattle of jingle bells above the hi-hat and some background church chimes over the synths. But “Sleigh Ride” was so much more than that. It was a song warped so far beyond recognition that it became uniquely their own. It was full of frivolous jokes and messy happiness, and it did something that so many modern holiday songs have strived to do before failing so horribly – it made Christmas sound fun.
The original “Sleigh Ride,” a chirpy instrumental, was penned by Leroy Anderson in 1948 and became an immediate hit when it was released a year later. The Andrews Sisters recorded the first vocal performance of the song in 1950, using lyrics written by Mitchell Parish—the same man behind the words to jazz standards like “Stardust” and “Deep Purple.” The Ronettes’ version of the song on the practically flawless A Christmas Gift to You From Phil Spector in 1963 is the most popular, but there have been dozens of “Sleigh Ride”s over the years. It’s in the canon.
TLC took a novel approach to the song in 1993. Rather than borrowing from The Ronettes or even commissioning a remix of an older cut, they basically ignored the original altogether. They worked around an entirely new vocal hook, a beat produced by Organized Noize and co-produced by their then-manager Pebbles, and pretty much a whole new set of lyrics. The hook is so classically festive that you’d be forgiven for thinking that it was there in the 1950 version: “Let’s have a very merry Christmas / And a happy New Year / Give with love and joy and happiness / And lots of good cheer.” But Parish’s lyrics didn’t even mention Christmas. The only call-back to the original comes from T-Boz, who sings to an entirely unfamiliar melody: “Just hear those sleigh bells jing-a-ling / Ring-ting-ting-a-ling too / It’s lovely weather for a sleigh ride together with you.”
(All of which might make you think that this isn’t a cover at all, and I get it. If you all but rewrite a song’s lyrics and sing those lyrics to a whole new tune over an entirely different beat, isn’t it just a new song? The answer is obviously yes, in the same way that an old broom with a new head and a new handle is just a new broom. But go back in time and tell that to LaFace Records, who listed only two songwriters on the original CD copy of the track: Anderson and Parish.)
TLC’s “version” is best appreciated alongside its video, which features T-Boz, Chilli, and Left Eye wearing baggy overalls, working through some awkward treeside encounters with boyfriends, helping the needy, and leading a half-decent dance party. “I want T-Boz to get me some headphone sets, and I want Left Eye to make me a fly dress,” Chilli says, beaming, at the top of the song. Left Eye’s verse is an open challenge to anyone who wants to hang out with her, opening with a too-cool-for-this-shit lead-in—”Uh-huh reindeer, presents, happiness… yeah right, check it out…”—and then using the “sleigh ride” as a metaphor for what I’m guessing was simply romance, because this was a PG-13 Christmas track. (The B-side to the single, “All I Want for Christmas“—no relation—is less ambiguous.)
This was just before TLC’s peak, a year beforeCrazySexyCool and years before outside pressures would make things tense, so it’s safe to assume that a lot of the trio’s chemistry was natural and unforced here. In an interview with Pitchfork earlier this year, Chilli even said that the verse was her favorite Left Eye moment: “I really love how she rapped in our Christmas song,'” she said. “I miss how silly we all used to be together. It was just how we interacted, at least when we were all liking each other at the same time—you know how sisters are!” They were gunning for airplay here (and a featured spot on the Home Alone 2 soundtrack didn’t hurt), but TLC were genuinely enjoying themselves.
“Sleigh Ride” is unquestionably of its time, but that’s its greatest asset—where most pop musicians try to tap into familiar moods and melodies at Christmas, TLC decided to sound like themselves, then threw a few bells on there. There’s more than one way to access warm holiday vibes. Sometimes you just have to rewrite the songs from scratch.
TLC finally gave us a live rendition of the hit in 2016, 23 years after it’s release, on the festive television show Taraji’s White Hot Holidays. Missy Elliott made a surprise appearance and paid homage to the late Left Eye by performing Lisa’s verse with the girls. Magic.
Original article posted on Noisey
Anniversary, Movies, Review

T-Boz Celebrates 20 Years of Belly with Nas at ComplexCon

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In 1998, on November 4, a classic hip-hop movie was born. The music video director genius, Hype Williams, decided to make his feature-film debut, and with a little help from his musician friends, Belly became a cult classic, 20 years on.

To assist in telling the story, which follows the catastrophic web of drugs and money that spans from New York City to Jamaica, Hype carefully selected a handful of artists he knew would fulfill the roles, including Method Man & Ghostface Killah of Wu-Tang Clan.

DMX (who Hype insisted he play the role of Tommy instead of Jay-Z), Nas and the talented Tionne “T-Boz” Watkins, who was able to keep her own government name in the movie.

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Fast forwarding 20 years to present day, the movie has managed to stand the test of time.

ComplexCon invited the on-screen couple T-Boz and Nas, who play the characters Tionne and Sincere in the movie, to join the ComplexCon event to discuss the importance of Belly, two decades later, along with the director, Hype Williams.

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T-Boz informed the panel that Belly had achieved cult status, according to her peers. “It’s a big deal. That’s what I hear on the streets, that’s what everyone says to me. You know, Boyz N The Hood, Menace To Society and Belly is now added to that, so I thought that was pretty awesome“.

“It’s like Tionne said”, Nas co-signs. “It’s like a hood classic thing. That’s really a serious title to have. That’s better than anything we could ask for.”

Nas and T-Boz went on to thank Hype Willams for giving them the opportunity to star in the movie. “I just wanna say about Hype“, Tionne interjects, “it’s awesome  to have people who are visionaries and leaders, not followers.”

Because if he had listened to everybody else and not did what was in his heart and what he wanted to do — he sparked off a lot of things for a lot of us, it takes people like that to make us thrive. He did some major stuff in this industry and he deserves all of his props“.

Nas echoed those sentiments. “Hype took a chance with us. He felt that we were the people that fit inside his vision. He could of got some top actors, everybody was a fan of his work, but he comes from music and he saw us. So, I appreciate him for that!“.

Touching on that undeniable chemistry Nas and T-Boz had on-screen, Nas shared his feelings on working with T! “This is T-Boz of TLC, like, the biggest group in the world!“, Nas exclaims. “Everyone liked TLC, like, each member, so I was lit because I get to have T-Boz as my girl, I was on fire! It was crazy! It was dope.

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Belly didn’t go down well with the critics at the time it was released, but hip-hop fans ensured the movie achieved the success it deserved at the box office and in history.

Tionne received praise for being a Ride Or Die chick for her man, Sincere, when she pulled her gun out on gangsters in her house, sternly telling them to “get the fuck out of my house!“, and for having intellectual conversations with him to help him give up the drug life and enough was enough.

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Complex gave it’s verdict on how the roles were portrayed by the actors, and they gave T-Boz a very healthy grade B:

T-Boz, playing Sincere’s girlfriend and baby’s mother, is kinda good. She makes great concerned faces, like when Kionna is expressing concern about Buns during a heart-to-heart walk or when she visits Kionna in jail (a scene that works especially well because, like most of Belly’s best scenes, there’s no dialogue).

Elsewhere, she doesn’t sound like she’s reading from a teleprompter during her moments with Nas. (This is more than you can say about Nas.) It’s sweet when Sincere asks her if she loves him, and she says that of course she does. She also has great platinum-white hair.

 

Anniversary, Review

Celebrating Left Eye’s Debut Solo Album ‘Supernova’ On It’s Anniversary

Back in 2000, the ‘L’ of TLC, Lisa “Left Eye” Lopes announced to the world that she was embarking on a solo career, and began work on her first solo LP, ‘Supernova‘.

The project, which was also released on her group’s label, Arista, was slated to be released on her chosen date of August 16.

This date was important to Lisa, who was a strong believer in the power of numerology. “Something weird happened in my family,” Lisa explained to MTV News in 2001.

My father died on August 16th and his father was born on August 16th“.

It’s a very significant release date“.

To accompany her wishes, Arista initially announced the album to be released that same week on August 14 (new album releases in the US drop on a Tuesday).

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However, because Arista failed to keep to their promise of releasing the album on this specific date, Lisa decided it was important for the world to hear the album on this date and streamed the entire album on her website, Eyenetics.com.

The label, which had not yet paid Lisa for her existing work on the album, requested her to return to the studio to record more tracks for the album to beef it up.

Lisa declined respectfully, and because Arista defaulted on her contract conditions, she was allowed to be freed from her legal obligations on the label, later signing to Suge Knight’s Tha Row label in 2002, where Lisa renamed herself N.I.N.A. (New Identity Non-Applicable). The project is available in full online.

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Left Eye’s Eyenetics website

‘Supernova’ was unlike anything Lisa had released in the past, choosing to educate her listeners on spirituality and numerology on tracks like “Universal Quest“, “A New Star Is Born” and “Breathe“. She also had more bold and self-assured tracks like “I Believe In Me“, “Let Me Live” and “Hot!“, the latter being her original choice for first single.

It’s guest appearances included Blaque, Esthero, Carl Thomas, Jazze Pha, Andre Rison and a posthumous collaboration with 2pac.

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‘Supernova’ tracklist

Lisa also changed her vocal style on the album, to be more spoken word and poetic. She was aiming for a new sound, something different to what she had produced with TLC.

TLC’s music is pretty much pop and R&B“, Lisa told BBC. “My music is a bit more eclectic“.

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Lisa was intending to release a puzzle with the album, which would help the listener decide on what track to play on the album. It features in her ‘Block Party‘ music video.

Whilst competing for prize money for charity on Who Wants To Be A Millionaire, she told more about it. “There’s a puzzle that comes with my album, it’s called a dodecahydon. So, I kinda created that and I do all of the computer graphics.

Despite the album never getting a release in the US, it was released overseas, following the moderate success of it’s first single, ‘The Block Party”, which reached the top 20 in the UK.

This underrated masterpiece deserves a full worldwide digital release on iTunes. Perhaps it will appear on Spotify one day, hopefully.

You can listen to ‘Supernova’ in full below.