Kiely Williams is a founding member of the R&B girl group 3LW, whose platinum self-titled debut album, ‘3LW‘, was released in 2000, with hits such as “Playas Gon Play“, “No More (Baby I’ma Do Right)”, and “I Do (Wanna Get Close To You)”, taken from the follow-up album,2002’s ‘A Girl Can Mack’.
After Kiely ended her time with 3LW, which also consisted of members Naturi Naughton,Adrienne Bailon, and Jessica Benson (replacing Naturi in 2003), she took the opportunity to join another girl group in 2002 with Adrienne — The Cheetah Girls — along with Raven-Symoné and Sabrina Bryan — for the Disney franchise, until 2008.
Kiely has been most notably quiet since the groups ended, focusing on family life, but she has finally broken her silence this year, as she is one of the stars of ‘BET Presents The Encore‘, an experimental reality show to see how nine former R&B stars can come together to form a super girl group!
She spoke with BET’s Noteworthy this week to talk all things girl groups, and admits that she has a real passion for 90’s R&B. When the hosts asked Kiely about the 3LW influences from other girl groups before hers, Kiely proudly reveals that her group was very inspired by the style and the individual characteristics of the legendary TLC!
“We modeled ourselves after, I guess more TLC, with the idea that each person had their own individual style, and not having like, one main lead singer”, Kiely states about the magical formula that helped TLC stand out from the crowd. “People sung, people rap, people danced, people did everything”.
“We did it that way, rather than like with The Supremes model, where there is a lead singer and back up singers”, Kiely continues. “So, we definitely modeled ourselves after TLC, but still in our own little way. The idea for 3LW was little women, that we are — we might be small, but we are mighty! We know our business”.
TLC have always been supportive and open to other girl groups doing their thing, as they never saw girl groups as competition — they would rather compare themselves to guy groups like Bell Biv Devoe and Boyz II Men!
Back in 2001, Lisa “Left Eye” Lopes told MTV News that she indeed was a fan of 3LW. “Let’s see, I like 3LW. The first time I saw the ad, I did think it looked like a JCPenney ad”, Lisa jokes. “But, it took me to watch the video of the girls in action, and they are adorable. They are doing their [thing]”.
“Look, this is how it is”, Lisa concludes. “Anybody can copy TLC — either you got it, or you don’t.”
Kiely reveals why she loves girl groups so much. “For me personally, growing up, I was always a fan of Total, Xscape, Brownstone, the list can go on and on. But I love R&B girl groups. I love 90’s R&B in general. I think it was the best era”.
Watch ‘BET Presents The Encore’ every Wednesday 10/9c on BET
It’s been a crazy couple of years for us all, with countless months of uncertainty due to the global Covid-19 pandemic, which forced us to slow down and practice a more sedentary lifestyle, free from crowds and become more conscious about social distancing.
One thing that suffered most was the live touring industry. However, the end of extreme social isolation is finally drawing closer to becoming a reality!
Today (June 23), TLC revealed that they intend to return to the stage later this year, with the announcement of the ‘Celebration of CrazySexyCool Tour‘, kicking off on September 3, 2021 in Albertville, AL at the Sand Mountain Amphitheater!
The ladies will be joined by special guests, the legendary rap group Bone Thugs-N-Harmony on the tour, adding their unique blend of harmonious hip-hop to the live shows to open for TLC on the 18 dates of the tour. Additional dates will be announced in due course.
Chilli states, “I’m so excited for this tour because we’ve been talking about doing something special for ‘CrazySexyCool’ for years and FINALLY, we get to do it! This is the album that truly put us on the map and showed the world who we really are. So, this will be quite the celebration!”
RIAA Diamond certified ‘CrazySexyCool’
‘CrazySexyCool‘ is TLC’s second studio album that featured the #1 singles “Waterfalls” and “Creep” and received a Diamond certification from the RIAA.
With over 85 million records sold worldwide, TLC is not only the best-selling American girl group of all time; with 4 Grammy Awards, 4 multi-platinum albums (two of which went Diamond), four number one singles and ten Top 10 singles, theirs is an influence – across pop, hip-hop, R&B, fashion and female empowerment – which defines generations.
In 2017, TLC released their self-titled album, their first in over fifteen years which hit #1 on Billboard’s Independent Album Chart. It funded exclusively by the fans via the crowd funding site, Kickstarter.
A two-hour documentary special “Biography: TLC” will premiere on A&E in 2022. The special will chronicle the group’s powerful, emotional journey and their survival against all odds as T-Boz and Chilli tell their story for the first time in a feature documentary. The special will be directed by Matt Kay.
TLC is represented by Lucia Media Group.
What songs are you hoping to see TLC perform on the ‘Celebration of CrazySexyCool Tour’?
Shamari DeVoe of the much loved girl group Blaque, founded by Lisa “Left Eye” Lopes, is currently starring in the cable television ratings winner, “BET Presents The Encore“, a reality show about nine former R&B artists coming together to form a super girl group!
Along with Shamari on the show are Pamela Long from Total, Kiely Williams from 3LW and the Cheetah Girls, Aubrey O’Day from Danity Kane, LeMisha and Irish Grinstead from 702, Felisha and Fallon King from Cherish and the only solo artist in the house, Nivea.
During the show, Shamari spoke about being thankful for Lisa’s mentorship and how the tragic 2002 passing of Lisa in a car accident in Honduras affected the career of her group, Blaque.
“The first album, ‘Blaque‘, was multi-platinum. And then, we were in the movie, ‘Bring It On‘. We were on top of the world!”, Shamari proudly tells the show’s producers about her career highs. “We had it all”.
Shamari shared the spotlight with her two Blaque group members, Brandi Williams and the late Natina Reed, who passed away in 2012. Blaque were discovered by Lisa’s brother, Ronald Lopes, who introduced them to Lisa and she had them signed up to Left Eye Productions company, eventually leading them to a recording contract with Columbia Records in 1996.
“Blaque are the protégé’s of Lisa “Left Eye” Lopes of TLC. She was our mentor — and then she passed away”, Shamari recalls. “That just stopped our whole career”. With the loss of Left Eye, Blaque also lost their biggest cheerleader.
“I definitely felt let down by the industry,” Shamari admits to The Guardian. “There was a point where I lost my passion to ever want to sing again.” Their second album, ‘Blaque Out‘ was scrapped by the label after online leaks, and the third album, ‘Torch‘, was also scrapped in 2003.
However, after heavy public demand in the form of fan petitions over the years, Blaque won back the rights to their recordings from one-time manager Mathew Knowles, and the album finally came out in 2019, 20 years since their debut.
“It feels really good to finally release it,” says Brandi. “And with us able to own these songs now, and our fans still wanting to hear them, I actually think this is perfect timing.”
“We’re doing this for Natina and Lisa”, Shamari adds.
Watch ‘BET Presents The Encore’ every Wednesday 10/9c on BET
Sony Music will pay royalties from streaming and other revenue streams to thousands of artists who signed deals with the label before 2000 and have yet to recoup their advances.
The major label reportedly sent out a letter to artists on June 11, announcing the new policy change, which is part of a new initiative called “Artists Forward”.
While the acts’ existing contracts will not be modified, Sony will instead “pay through on existing unrecouped balances to increase the ability of those who qualify to receive more money from uses of their music”.
It means that many will now, for the first time, earn money when their songs are streamed on services like Spotify and Amazon Music.
Sony said it could not name the eligible acts due to confidentiality agreements, but a source said it would “include household names”.
It said some artists stood to receive “many thousands of dollars per year”.
BBC explained how artists end up in debt in the first place: Musicians typically take on debt when they first sign to a record label. They are given a lump sum, known as an advance, to pay for recording studios, video shoots, distribution and other expenses. The money is then paid back when they sell their music.
However, many artists never earn enough to repay their advances, often because they get unfavourable royalty rates from their own record companies. Heritage black artists have been particularly affected.
And until the debt to their label is repaid, those artists are not eligible to receive income from streaming, and other royalty payments.
That’s how an act like TLC, who were signed to Sony subsidiary LaFace Records, ended up declaring bankruptcy in 1995.
The R&B stars declared debts of $3.5m, despite having one of the decade’s best selling albums, ‘CrazySexyCool’. TLC were even forced to re-record some of their major hits because of the Sony-imposed royalty restrictions.
But why now? Sony’s initative comes amid mounting pressure on the record industry to be more transparent about the way it distributes money, particularly from streaming services.
A parliamentary inquiry is currently looking into the streaming economy, prompted by the vocal #BrokenRecord campaign, which seeks to address the imbalance in how profits are shared between record labels, musicians and the streaming services themselves.
Gomez musician Tom Gray, who founded the campaign, said Sony’s move was “incredibly welcome”.
“From the perspective of somebody who’s been running a campaign to try and get these companies to behave more ethically and transparently, it feels like a win,” he told the BBC.
Sony’s announcement came in a letter to artists on Friday, a copy of which has been shared with the BBC.
“We are not modifying existing contracts, but choosing to pay through on existing unrecouped balances to increase the ability of those who qualify to receive more money from uses of their music,” it said.
In other words, the debt hasn’t been explicitly wiped out – but Sony will ignore it and pay royalties to affected acts, backdated to January 1st, 2021.
Music industry lawyer Aurelia Butler-Ball said the scheme would “unlock” streaming revenues that artists were not previously entitled to, under contracts signed during the CD and cassette era.
“Many of the record deals [made] before 2000 didn’t recognise that streaming platforms would ever exist,” she said. “Therefore, artists didn’t have the right mechanisms in place to see those revenues.”
Sony Music’s letter appears in full below:
June 11, 2021
Artists Forward
Dear Sony Music Partner:
Today Sony Music Entertainment is announcing an expansion of the comprehensive support we provide to thousands of our artists around the world, with the launch of a new initiative called Artists Forward, prioritizing transparency with creators in all aspects of their development.
Legacy Unrecouped Balance Program
To enhance our level of service under Artists Forward, we are unveiling a Legacy Unrecouped Balance Program, creating more payment opportunities for our long-standing artists and participants around the world.
As part of our continuing focus on developing new financial opportunities for creators, we will no longer apply existing unrecouped balances to artist and participant earnings generated on or after January 1, 2021 for eligible artists and participants globally who signed to SME prior to the year 2000 and have not received an advance from the year 2000 forward.
Through this program, we are not modifying existing contracts, but choosing to pay through on existing unrecouped balances to increase the ability of those who qualify to receive more money from uses of their music.
In addition, those eligible for the Legacy Unrecouped Balance Program can join other qualifying Sony Music artists in being able to receive advances on projected earnings using Real Time Advances, a new feature available through the Sony Music Artist Portal enabling instant account advances. It is currently available in the U.S. and U.K. and will be rolling out in additional markets around the world later this year. Qualifying artists and participants who use the Sony Music Artist Portal will also be able to request a withdrawal of all or part of their payable balance each month as soon as it becomes available using our industry-leading Cash Out feature.
Artists and participants who qualify for the Legacy Unrecouped Balance Program will be notified of their eligibility separately in the weeks ahead.
A Continuing Commitment to Artists
We’re driven by our mission to provide artists with the best levels of service. The program we are announcing today is part of that continuing work and further builds on our initiatives and investments in modernized contracts, flexible deal options, advanced data and analytics insights for creators and more.
For more information, please speak to your local label representative or visit the Sony Music Artist Portal (sme-artistportal.com).
Best,
Sony Music Entertainment
It’s been a long, long time coming!
What are your thoughts on Sony wiping old debts from it’s legacy artists?